"L'Arlesiana / Act 2: "E la solita storia...Anch'io vorrei dormir così"" by Francesco Cilea, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Franci was released on January 1, 2006. With this song being about 5 minutes long, at 4:38, "L'Arlesiana / Act 2: "E la solita storia...Anch'io vorrei dormir così"" by Francesco Cilea, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Franci is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mario del Monaco's "Mario del Monaco: Decca Recitals 1952-1969" album is number 2 out of 97. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, L'Arlesiana / Act 2: "E la solita storia...Anch'io vorrei dormir così" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Arlesiana / Act 2: "E la solita storia...Anch'io vorrei dormir così" by Francesco Cilea, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Franci to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Cilea: Adriana Lecouvreur; Act 2: O vagabonda | Francesco Cilea, Arturo Colautti, James Levine | G Minor | 3 | 6A | 165 BPM | ||
Catalani: La Wally, Act 1: "Ebben? Andrò sola e lontana" (Wally) | Alfredo Catalani, Lamberto Gardelli, Munich Radio Orchestra | E Major | 1 | 12B | 168 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
La Gioconda / Act 4: "Suicidio! In questi fieri momenti" | Amilcare Ponchielli, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Minor | 1 | 11A | 97 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Adriana Lecouvreur / Act 1: "Michonnet, dalla bianca!" | Francesco Cilea, Frances Ginzer, Leo Nucci, Peter Bronder, Deborah Stuart-Roberts, Bryn Terfel, Welsh National Opera Orchestra, Richard Bonynge | E Major | 1 | 12B | 81 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
La Vestale: Ô des infortunés | Gaspare Spontini, Marina Rebeka, Jader Bignamini, Orchestra del Teatro Massimo di Palermo | B♭ Major | 2 | 6B | 87 BPM |