I Knew You Were Trouble / As Long as You Love Me (feat. Rachel Potter)

VoicePlay, Rachel Potter
Collide
3:29 2014年1月7日
テンポ
171
キー
E♭ Minor
キャメロットミュージックキー
2A

リンクを埋め込む

共有

I Knew You Were Trouble / As Long as You Love Me (feat. Rachel Potter) - VoicePlay, Rachel Potter 情報

音響性
64%
ダンサビリティ
65%
エネルギー
54%
手段性
0%
活気
13%
ラウドネス
90%
話し言葉
22%
価数
81%
人気
ラウドネス
-6.114 dB

まとめ

On January 7, 2014, the song "I Knew You Were Trouble / As Long as You Love Me (feat. Rachel Potter)" was released by VoicePlay, Rachel Potter. The duration of I Knew You Were Trouble / As Long as You Love Me (feat. Rachel Potter) is about 3 minutes long, at 3:29. Based on our data, "I Knew You Were Trouble / As Long as You Love Me (feat. Rachel Potter)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 8 in Collide by VoicePlay. The popularity of I Knew You Were Trouble / As Long as You Love Me (feat. Rachel Potter) is currently below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

I Knew You Were Trouble / As Long as You Love Me (feat. Rachel Potter) テンポ

The tempo marking of I Knew You Were Trouble / As Long as You Love Me (feat. Rachel Potter) by VoicePlay, Rachel Potter is Vivace (lively and fast), since this song has a tempo of 171 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

I Knew You Were Trouble / As Long as You Love Me (feat. Rachel Potter) キー

The music key of this track is E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Bones by The Bass GangBonesThe Bass GangD♭ Minor412A180 BPM
After Ever After by Jon CozartAfter Ever AfterJon CozartD♭ Major23B110 BPM
Jesus and Jezebel by Rachel PotterJesus and JezebelRachel PotterG Major79B96 BPM
Shape of You No Diggity (feat. Matthew Darren) by VoicePlay, Matthew DarrenShape of You No Diggity (feat. Matthew Darren)VoicePlay, Matthew DarrenE♭ Minor42A180 BPM
Dancing in the Street by RockapellaDancing in the StreetRockapellaB♭ Minor93A148 BPM
Down on the Corner by Street Corner SymphonyDown on the CornerStreet Corner SymphonyB Major51B108 BPM
Royals by PentatonixRoyalsPentatonixF♯ Major42B87 BPM
Cups (When I'm Gone) by Jon CozartCups (When I'm Gone)Jon CozartC Major88B128 BPM
Right Round by The Treblemakers, KayRight RoundThe Treblemakers, KayG Major89B127 BPM
Riff Off - From Riff Off - From "Pitch Perfect 2" SoundtrackDas Sound Machine, Tone Hangers, The Barden Bellas, Green Bay Packers, The TreblemakersD♭ Major73B108 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records