"Hymnus Exultet Coelum Laudibus" by Girolamo Cavazzoni, Sordo Federico del, Nova Schola Gregoriana, Turco Alberto was released on July 30, 2021. With Hymnus Exultet Coelum Laudibus being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 38 in Cavazzoni: Complete Organ Music by Girolamo Cavazzoni, Federico del Sordo, Nova Schola Gregoriana, Alberto Turco. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Hymnus Exultet Coelum Laudibus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hymnus Exultet Coelum Laudibus by Girolamo Cavazzoni, Sordo Federico del, Nova Schola Gregoriana, Turco Alberto is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ricercare primo | Girolamo Cavazzoni, Sergio Vartolo, Bologna Cappella Musicale di St. Petronio | A♭ Major | 1 | 4B | 71 BPM | ||
Scarlatti, D: Stabat Mater in C Minor: VII. Juxta crucem | Domenico Scarlatti, John Eliot Gardiner, English Baroque Soloists, The Monteverdi Choir | C Minor | 1 | 5A | 60 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Suffer at 3100m | Michelle Legauffe | A Major | 2 | 11B | 111 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM | ||
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: But the waters overwhelmed their enemies (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Nisi Dominus, RV 608: VI. Beatus vir | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM |