"Concert for Violin, Piano and String Quartet in D Major, Op. 21: II. Sicilienne" by Ernest Chausson, Soovin Kim, Jeremy Denk, The Jupiter String Quartet was released on April 28, 2009. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 8 in Chausson, E.: Concerto for Violin, Piano and String Quartet / Faure, G.: Violin Sonata No. 1 by The Jupiter String Quartet. Concert for Violin, Piano and String Quartet in D Major, Op. 21: II. Sicilienne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concert for Violin, Piano and String Quartet in D Major, Op. 21: II. Sicilienne by Ernest Chausson, Soovin Kim, Jeremy Denk, The Jupiter String Quartet is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto, Op. 22: II. Andante sostenuto | Samuel Barber, Christian Poltéra, Bergen Philharmonic Orchestra, Andrew Litton | A Major | 0 | 11B | 90 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | B Major | 1 | 1B | 68 BPM | ||
Piano Concerto for the Left Hand in D Major, M. 82: III. Tempo I | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | A Minor | 1 | 8A | 85 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Symphony No. 4: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | ||
Chausson : Le roi Arthus : Act 2 "Lyonnel a-t-il pu la voir?" [Lancelot] | Ernest Chausson, Armin Jordan, Nouvel Orchestre Philharmonique | C Major | 1 | 8B | 79 BPM | ||
Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | C Major | 2 | 8B | 79 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 80 BPM | ||
Le temps des lilas (From "Poème de l'amour et de la mer, Op. 19") | Ernest Chausson, Véronique Gens, Susan Manoff | B♭ Major | 1 | 6B | 91 BPM |