"Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto (4)" by Sergei Rachmaninoff, Klára Würtz, Ukraine National Symphony Orchestra, Vladimir Sirenko was released on November 23, 2020. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Rachmaninoff: Piano Concerto No. 2". In this album, this song's track order is #8. Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto (4) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto (4) by Sergei Rachmaninoff, Klára Würtz, Ukraine National Symphony Orchestra, Vladimir Sirenko having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Segunda visión | Juan Pablo Fernández Ramos | G Minor | 1 | 6A | 81 BPM | ||
Raymonda, Act III: Grand Pas de Deux, Pas Classique Hongrois | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | F Minor | 0 | 4A | 82 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Transcr. Strauss & Rizikov for Cello and Piano) | Sergei Rachmaninoff, Lisa Strauss, Anastasia Rizikov | F♯ Major | 0 | 2B | 66 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Nocturne in E-Flat Major, Op. 9, No. 2 | Frédéric Chopin, Elizabeth Mann, Deborah Hoffman | D Major | 1 | 10B | 136 BPM | ||
Smile - Live at Muza Kawasaki Symphony Hall / Aug. 19, 2022 | チャールズ・チャップリン, ジェフリー・パーソンズ, ジェイムス・ジョン・ターナー・フィリップス, 石田組 | D Major | 1 | 10B | 103 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Piano) | Johannes Brahms, Andhika Patrick | G Major | 0 | 9B | 71 BPM | ||
La bola de cristal | Juan Pablo Fernández Ramos | G Minor | 1 | 6A | 80 BPM | ||
Liadov : 3 Preludes Op.40 : No.2 in D minor | Anatoly Lyadov, Boris Berezovsky | C Major | 0 | 8B | 71 BPM |