"Seven Songs, Op. 17:6 Till kvällen (In the Evening)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. With Seven Songs, Op. 17:6 Till kvällen (In the Evening) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Seven Songs, Op. 17:6 Till kvällen (In the Evening) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seven Songs, Op. 17:6 Till kvällen (In the Evening) by Birgit Nilsson, Geoffrey Parsons is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otello / Act 1: Già nella notte densa (Love Duet) | Giuseppe Verdi, Plácido Domingo, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | C Major | 1 | 8B | 175 BPM | ||
Fidelio, Op. 72 / Act 1: "Ach! Vater, Vater, eilt!" | Ludwig van Beethoven, Graziella Sciutti, Kurt Böhme, Donald Grobe, Birgit Nilsson, Tom Krause, Wiener Philharmoniker, Lorin Maazel | C Major | 3 | 8B | 65 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Il Trovatore / Act 3: "Squilli, echeggi la tromba" | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Major | 4 | 12B | 110 BPM | ||
Rigoletto / Act 3: Un dì, se ben rammentomi | Giuseppe Verdi, Ileana Cotrubas, Elena Obraztsova, Plácido Domingo, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | E Major | 1 | 12B | 126 BPM | ||
Cavalleria rusticana: Scena - Largo | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Il Trovatore / Act 4: "Prima che d'altri vivere" | Giuseppe Verdi, Joan Sutherland, Luciano Pavarotti, Ingvar Wixell, Marilyn Horne, National Philharmonic Orchestra, Richard Bonynge | B♭ Minor | 4 | 3A | 90 BPM | ||
Don Pasquale, Act I Seconda Scena: Bella siccome un angelo (Malatesta/Pasquale) | Gaetano Donizetti, Leo Nucci/Sesto Bruscantini/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | D♭ Major | 2 | 3B | 126 BPM | ||
Vier Letzte Lieder (Four Last Songs), Av 150: I. Frühling (Spring) | Birgit Nilsson | F Major | 1 | 7B | 87 BPM | ||
Die Frau ohne Schatten, Op. 65, TrV 234 / Act 1: Dieb! Da nimm!...Reiss ihn nach hinten...Zu hilfe" - Live | Richard Strauss, Hans Helm, Lorenzo Alvary, Murray Dickie, Birgit Nilsson, Walter Berry, Vienna State Opera Orchestra, Karl Böhm | B♭ Minor | 3 | 3A | 107 BPM |