Jeremiah Clarke, Joachim Schafer Trumpet Ensemble made "Suite in D major: XVII. Prince Eugene's March (Arr. J. Schafer)" available on November 6, 2012. With Suite in D major: XVII. Prince Eugene's March (Arr. J. Schafer) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 27 in the song's album "Suites of Aires, Messiah". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. In terms of popularity, Suite in D major: XVII. Prince Eugene's March (Arr. J. Schafer) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Suite in D major: XVII. Prince Eugene's March (Arr. J. Schafer) by Jeremiah Clarke, Joachim Schafer Trumpet Ensemble having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto No. 2, K.314 in D: Rondeau: Allegro | James Galway, Sir Neville Marriner | D Major | 1 | 10B | 125 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
I Was Glad | Hubert Parry, The Sixteen, Harry Christophers | B♭ Major | 2 | 6B | 172 BPM | ||
Carmen: I. Chorus of Street Boys | Gottfried Reiche, Jeremiah Clarke, Ryan Anthony, Gary Beard | F♯ Minor | 8 | 11A | 120 BPM | ||
Gloria in D Major, RV589: 1. Gloria in excelsis | Antonio Vivaldi, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Simon Preston | D♭ Major | 3 | 3B | 126 BPM |