Joseph Haydn, Nacole Palmer, Kirsten Sollek, Daniel Mutlu, Andrew Nolen, Trinity Church Choir, New York, Rebel Baroque Orchestra, Jane Glover made "Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": Credo. Et vitam venturi" available on September 29, 2009. With Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": Credo. Et vitam venturi being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joseph Haydn, Owen Burdick, Rebel Baroque Orchestra's "Haydn, J.: Masses (Complete) (Trinity Choir, Rebel Baroque Orchestra, Burdick, Glover) (8 Cd Box Set)" album is number 14 out of 157. On top of that, Hong Kong appears to be the country where this track was created. Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": Credo. Et vitam venturi is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": Credo. Et vitam venturi by Joseph Haydn, Nacole Palmer, Kirsten Sollek, Daniel Mutlu, Andrew Nolen, Trinity Church Choir, New York, Rebel Baroque Orchestra, Jane Glover to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 4 in E-Flat Major, J. 102: II. Rondo: Vivace | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | E♭ Major | 1 | 5B | 112 BPM | ||
11 Bagatelles, Op. 119: 5. Risoluto | Ludwig van Beethoven, Alfred Brendel | F Minor | 1 | 4A | 84 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM | ||
Keyboard Sonata in A Major, Wq. 55/4, H. 186: II. Poco adagio | Carl Philipp Emanuel Bach, Christopher Hinterhuber | F♯ Minor | 0 | 11A | 131 BPM | ||
Die Jahreszeiten (The Seasons), Hob.XXI:3: Der Fruhling (Spring): Introduction and Recitative: Seht, wie der strenge Winter (Simon, Lukas, Hanne) | Joseph Haydn, Sibylla Rubens, Andreas Karasiak, Stephan MacLeod, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E♭ Major | 1 | 5B | 117 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Mass No. 7 in B-Flat Major, Hob.XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Gloria | Joseph Haydn, Viktoria Loukianetz, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Béla Drahos | B♭ Major | 1 | 6B | 125 BPM |