"Liturgy of St. John Chrysostom, Op. 41: II. Glory Be to the Father" by Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk was released on April 1, 2006. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Tchaikovsky: Liturgy of St. John Chrysostom". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Liturgy of St. John Chrysostom, Op. 41: II. Glory Be to the Father is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liturgy of St. John Chrysostom, Op. 41: II. Glory Be to the Father by Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 171 BPM | ||
Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
The Hymn for the Day | The Choir of the Dormition Church of the Novodevichy Convent | D♭ Major | 3 | 3B | 0 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Song of Cherubs: Izhe Kheruvimi (Cherubic Hymn): No. 7 in D Major | St. Petersburg Optina Pustyn Male Choir | A Major | 2 | 11B | 130 BPM | ||
Threshold of Night | Tarik O'Regan, Craig Hella Johnson, Conspirare | B♭ Major | 0 | 6B | 79 BPM | ||
O come, let us worship | USSR Ministry of Culture Chamber Choir, Valery Polyansky | B Major | 2 | 1B | 91 BPM | ||
Grand Sonata in G Major, Op. 37, TH 139: III. Scherzo. Allegro giocoso | Pyotr Ilyich Tchaikovsky, Nikolai Lugansky | A♭ Major | 0 | 4B | 175 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM |