"Quatre Pièces romantiques, Op. 30: III. Berceuse" by Charlotte Sohy, Marie Vermeulin was released on April 1, 2022. The duration of Quatre Pièces romantiques, Op. 30: III. Berceuse is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Quatre Pièces romantiques, Op. 30: III. Berceuse's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 18 in Charlotte Sohy: Piano Music by Charlotte Sohy, Marie-Laure Garnier, David Kadouch, Célia Oneto Bensaid, Heloïse Luzzati, Nikola Nikolov, Xavier Phillips, Marie Vermeulin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Quatre Pièces romantiques, Op. 30: III. Berceuse is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatre Pièces romantiques, Op. 30: III. Berceuse by Charlotte Sohy, Marie Vermeulin is Larghetto (rather broadly), since this song has a tempo of 62 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gnossiennes (Arr. S. Shibe for Guitar): No. 3, Lent | Erik Satie, Sean Shibe | D Minor | 0 | 7A | 133 BPM | ||
Visions fugitives, Op. 22: No. 8, Commodo | Sergei Prokofiev, Laurent Cabasso | A Major | 1 | 11B | 83 BPM | ||
Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | A Minor | 1 | 8A | 120 BPM | ||
Impresiones intimas: I. 4 Quejas (4 Complaints): No. 1. Lento cantabile espressive | Federico Mompou, Olena Kushpler | A Minor | 0 | 8A | 74 BPM | ||
Liszt: Berceuse, S. 174 (1862 Version) | Franz Liszt, Bertrand Chamayou | D♭ Major | 2 | 3B | 61 BPM | ||
Trio, Op. 24: II. Andante | Charlotte Sohy, Nikola Nikolov, Xavier Phillips, Célia Oneto Bensaid | D Minor | 2 | 7A | 141 BPM | ||
Four Slovak folk songs, Sz. 70: II. Na holi, na holi | Béla Bartók, Ensemble Cythera, Mihály Zeke, Marie Vermeulin | A Major | 0 | 11B | 66 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major | Dmitri Shostakovich, Igor Levit | A Major | 0 | 11B | 97 BPM | ||
Tissue No. 7 | Philip Glass, Camille Thomas, Julien Brocal | B♭ Major | 0 | 6B | 75 BPM |