"(Free After) Workers Union - Live" by Louis Andriessen, Nederlands Blazers Ensemble, Momo Wandel Soumah, Maria Amélia Proença was released on July 1, 2001. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nederlands Blazers Ensemble's "Le Printemps Nous Oublie (Live)" album is number 3 out of 30. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, (Free After) Workers Union - Live is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of (Free After) Workers Union - Live by Louis Andriessen, Nederlands Blazers Ensemble, Momo Wandel Soumah, Maria Amélia Proença to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Violin And Orchestra: 1. = 104 - = 120 | Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | D Minor | 1 | 7A | 130 BPM | ||
Stimmung: Model 1 | Karlheinz Stockhausen, Paul Hillier, Theatre Of Voices | D Minor | 0 | 7A | 66 BPM | ||
Summa: Summa (Version for string orchestra) | Arvo Pärt, Tapiola Sinfonietta, Jean-Jacques Kantorow | G Minor | 0 | 6A | 100 BPM | ||
Anaïs Nin: v. The seduction | Louis Andriessen, London Sinfonietta, Cristina Zavalloni | E Major | 1 | 12B | 78 BPM | ||
Erdélyi tánc | Béla Bartók, Angela Chun, Jennifer Chun | B Minor | 0 | 10A | 78 BPM | ||
Light in Darkness | Evelyn Glennie | G Major | 0 | 9B | 145 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Stillness | Hilary Hahn, Hauschka | A Major | 0 | 11B | 75 BPM | ||
Sinfonietta No. 2: III. Serenade: Tempo di valse | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Major | 0 | 8B | 88 BPM | ||
Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM |