"Iberia / Book 1: No. 1, Evocación (Arr. Laura Lootens for Solo Guitar)" by Isaac Albéniz, Laura Lootens was released on September 15, 2023. Iberia / Book 1: No. 1, Evocación (Arr. Laura Lootens for Solo Guitar) is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The song is number 2 out of 12 in Albéniz: Suite Española, Malagueña and Other Works by Isaac Albéniz, Laura Lootens. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Iberia / Book 1: No. 1, Evocación (Arr. Laura Lootens for Solo Guitar)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Iberia / Book 1: No. 1, Evocación (Arr. Laura Lootens for Solo Guitar) by Isaac Albéniz, Laura Lootens is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate en la majeur, K. 208: Adagio e cantabile | Domenico Scarlatti, Thibault Cauvin | A Major | 2 | 11B | 111 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Concerto pour harpe en ut majeur: III. Rondeau. Allegro agitato | François-Adrien Boieldieu, Anaïs Gaudemard, Leo Hussain, Orchestre de l'Opéra de Rouen Normandie | C Minor | 2 | 5A | 97 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Sicilienne | Gabriel Fauré, Cocomi, Miloš Karadaglić | E♭ Major | 0 | 5B | 140 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Canarios | Gaspar Sanz, Simon Dinnigan | D Major | 1 | 10B | 96 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM |