"Requiem In D Minor, K.626 - Compl. By Franz Xaver Süssmayer: 1. Introitus: Requiem / 2. Kyrie" by Wolfgang Amadeus Mozart, Edith Mathis, Hans Haselböck, Wiener Philharmoniker, Karl Böhm, Vienna State Opera Chorus was released on January 1, 1971. Since Requiem In D Minor, K.626 - Compl. By Franz Xaver Süssmayer: 1. Introitus: Requiem / 2. Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Edith Mathis, Julia Hamari, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm, Vienna State Opera Chorus's "Mozart: Requiem" album is number 1 out of 12. On top of that, Germany appears to be the country where this track was created. Requiem In D Minor, K.626 - Compl. By Franz Xaver Süssmayer: 1. Introitus: Requiem / 2. Kyrie is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem In D Minor, K.626 - Compl. By Franz Xaver Süssmayer: 1. Introitus: Requiem / 2. Kyrie by Wolfgang Amadeus Mozart, Edith Mathis, Hans Haselböck, Wiener Philharmoniker, Karl Böhm, Vienna State Opera Chorus to be Lento (slowly) because the track has a tempo of 57 テンポ, a half-time of 28テンポ, and a double-time of 114 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
Ein deutsches Requiem, Op. 45: 2. Chor: "Denn alles Fleisch, es ist wie Gras" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | B♭ Major | 0 | 6B | 88 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
Götterdämmerung - Concert version / Dritter Aufzug: Siegfried's Funeral March | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | F Minor | 0 | 4A | 64 BPM | ||
Symphony No. 3 in D, D.200: I. Adagio maestoso - Allegro con brio | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | E Major | 1 | 12B | 78 BPM | ||
Das Lied von der Erde: Der Einsame im Herbst | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | B♭ Major | 0 | 6B | 134 BPM | ||
Requiem, Op. 9 (1961 version): Kyrie | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | F Major | 2 | 7B | 85 BPM | ||
Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1] | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | D♭ Minor | 1 | 12A | 86 BPM |