Johann Sebastian Bach, Florian Noack made "Concerto for 4 Harpsichords in A Minor, BWV 1065 (Transcr. for Piano by Florian Noack): III. Allegro" available on March 8, 2024. The duration of Concerto for 4 Harpsichords in A Minor, BWV 1065 (Transcr. for Piano by Florian Noack): III. Allegro is about 3 minutes long, at 3:08. Based on our data, "Concerto for 4 Harpsichords in A Minor, BWV 1065 (Transcr. for Piano by Florian Noack): III. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Florian Noack's "I Wanna Be Like You" album is number 3 out of 18. On top of that, France appears to be the country where this track was created. In terms of popularity, Concerto for 4 Harpsichords in A Minor, BWV 1065 (Transcr. for Piano by Florian Noack): III. Allegro is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto for 4 Harpsichords in A Minor, BWV 1065 (Transcr. for Piano by Florian Noack): III. Allegro by Johann Sebastian Bach, Florian Noack to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Tianqi Du, Academy of St. Martin in the Fields, Jonathan Bloxham | A♭ Major | 0 | 4B | 99 BPM | ||
Variations on an Original Theme in A-Flat Major, D. 813, Op. 35: VI. Variation V | Franz Schubert, Andreas Staier, Alexander Melnikov | E♭ Major | 0 | 5B | 66 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. Allegro | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A♭ Major | 0 | 4B | 84 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM |