On August 1, 2002, the song "Arabesques, Op. 42: IV. Shadowed Waters" was released by Leo Ornstein, Marc-André Hamelin. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Leo Ornstein, Marc-André Hamelin's "Leo Ornstein: Piano Music" album is number 17 out of 29. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Arabesques, Op. 42: IV. Shadowed Waters is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Arabesques, Op. 42: IV. Shadowed Waters by Leo Ornstein, Marc-André Hamelin to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) | ROBERTO CARPIO, Juan José Chuquisengo | D♭ Major | 3 | 3B | 121 BPM | ||
Pour le Piano, L. 59: III. Toccata | Claude Debussy, Saskia Giorgini | B Minor | 1 | 10A | 63 BPM | ||
13 Preludes, Op. 32: No. 12 in G-Sharp Minor | Sergei Rachmaninoff, Elena Dorozhkina | D♭ Minor | 1 | 12A | 132 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 0 | 6B | 80 BPM | ||
Red | Sheavy | G Major | 0 | 9B | 156 BPM | ||
Piano Concerto in F sharp Minor, Op. 10: III. Allegro con fuoco | Hans Bronsart von Schellendorf, Paul Wee, Swedish Chamber Orchestra, Michael Collins | D Major | 3 | 10B | 147 BPM | ||
Étude No. 13 "The Devil's Staircase" | Máire Carroll | D♭ Major | 4 | 3B | 165 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 83: IV. Allegretto grazioso | Johannes Brahms, Michael Korstick, Constantin Trinks, Deutsches Symphonie-Orchester Berlin | B♭ Major | 2 | 6B | 103 BPM | ||
ノクターン 第8番(フォーレ) | エヴァ・ポブウォツカ | D♭ Major | 1 | 3B | 63 BPM | ||
Sonata in C major for Cello and Piano, Op. 119: II. Moderato — Andante dolce — Moderato primo | Sergei Prokofiev, Christian Poltéra, Juho Pohjonen | E Major | 0 | 12B | 141 BPM |