"In I Vesperis: Antiphona. Ex quo omnia" by Etienne de Liège, Psallentes, Hendrik Vanden Abeele was released on 2006. The duration of In I Vesperis: Antiphona. Ex quo omnia is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. In I Vesperis: Antiphona. Ex quo omnia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 20 in De Liège: In festo sanctissimae trinitatis by Etienne de Liège, Psallentes, Hendrik Vanden Abeele. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, In I Vesperis: Antiphona. Ex quo omnia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In I Vesperis: Antiphona. Ex quo omnia by Etienne de Liège, Psallentes, Hendrik Vanden Abeele is Moderato (at a moderate speed), since this song has a tempo of 116 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canto Gregoriano Jueves Santo, Misa y Responsos de las Tinieblas: Responso: IN MONTE OLIVETI (8º modo) - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | F♯ Minor | 1 | 11A | 133 BPM | ||
Litany of St. Joseph | John Shaw | C Minor | 0 | 5A | 113 BPM | ||
Ad Matutinum: Lectio. Itaque convenit | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
Missa In Dedicatione Ecclesiae. Ad Laudes: Agnus Dei, Modo II | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | F♯ Major | 0 | 2B | 109 BPM | ||
Hymn: Avete Solitudinis | Cistercian Nuns Of Mount Saint Mary's Abbey | E Minor | 0 | 9A | 166 BPM | ||
In Paradisum Angeli | Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes | F Minor | 1 | 4A | 86 BPM | ||
Litany of Demands | Choir of the Monks of Chevetogne | D♭ Major | 1 | 3B | 83 BPM | ||
Gaude, mater Polonia (Polish, 13th century) | Early Music New York | F Major | 1 | 7B | 70 BPM | ||
Hymne: Sanctòrum Méritis | Coro Francescano di Assisi | F♯ Major | 0 | 2B | 127 BPM | ||
Del Kyriale: Kyrie del Tono II | Pro Musica Gregoriana, Susana Imbern | A Major | 1 | 11B | 81 BPM |