Gregor Joseph Werner, Magdalene Harer, Anne Bierwirth, Markus Flaig, Voktett Hannover, La Festa Musicale, Lajos Rovatkay's 'Requiem in C Minor III/37: I. Requiem Aeternam' came out on November 4, 2022. The duration of Requiem in C Minor III/37: I. Requiem Aeternam is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Requiem in C Minor III/37: I. Requiem Aeternam's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gregor Joseph Werner, Daniel Trumbull, Magdalene Harer, Anne Bierwirth, Markus Flaig, Tobias Hunger, La Festa Musicale, Lajos Rovatkay, Voktett Hannover's "Gregor Joseph Werner: Vol. II: Requiem" album is number 9 out of 25. On top of that, Germany appears to be the country where this track was created. Requiem in C Minor III/37: I. Requiem Aeternam is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Requiem in C Minor III/37: I. Requiem Aeternam by Gregor Joseph Werner, Magdalene Harer, Anne Bierwirth, Markus Flaig, Voktett Hannover, La Festa Musicale, Lajos Rovatkay to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marais: Pièces en trio: Suite No. 5 en mi mineur: IV. Rondeau | Marin Marais, Ensemble Amalia | F♯ Major | 0 | 2B | 141 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Te Deum: I. Te Deum laudamus | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Der Gute Hirt, Act I Scene 2: Wie? Was höre ich? | Gregor Joseph Werner, Péter Bárány, Lóránt Najbauer, Orfeo Orchestra, Gyorgy Vashegyi | E Major | 2 | 12B | 110 BPM | ||
Der Herr ist König, TWV 8:6: I. No. 6, Aria: Prahlet, Ihr Völker | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan, Shimon Yoshida | E♭ Minor | 2 | 2A | 74 BPM | ||
Ascanio, Sinfonia: II. [Sarabande] | Antonio Lotti, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Markuspassion: I. Jesus Christus ist um unser Missetat willen | Reinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Jan Kobow, Joël Suhubiette | F♯ Minor | 2 | 11A | 72 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM |