"Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act II: In bygone days I had thy love (Rose, Robin, Richard, Bridesmaids)" by Arthur Sullivan, Elsie Morison/George Baker/Richard Lewis/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra was released on 1999. With Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act II: In bygone days I had thy love (Rose, Robin, Richard, Bridesmaids) being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, Sir Malcolm Sargent/Lt. Col. Sir Vivian Dunn, Sir Malcolm Sargent, Sir Vivian Dunn's "Gilbert & Sullivan: Ruddigore - The Merchant of Venice Suite" album is number 3 out of 33. On top of that, United Kingdom appears to be the country where this track was created. Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act II: In bygone days I had thy love (Rose, Robin, Richard, Bridesmaids) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act II: In bygone days I had thy love (Rose, Robin, Richard, Bridesmaids) by Arthur Sullivan, Elsie Morison/George Baker/Richard Lewis/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
15. Oh, men of dark and dismal fate | Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Christene Palmer, Philip Potter, George Cook, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | F Major | 1 | 7B | 109 BPM | ||
Die Tänzerin Fanny Elssler: Draußen in Sievering (Act 2) | Johann Strauss II, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Candide / Act II: 31. Make Our Garden Grow (Finale) | Leonard Bernstein, June Anderson, Della Jones, Christa Ludwig, Jerry Hadley, Nicolai Gedda, Kurt Ollmann, Adolph Green, London Symphony Orchestra, London Symphony Chorus | C Major | 2 | 8B | 168 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Alain Lombard, Mady Mesple, Orchestre du Theatre National de IOpera-Comique | E Minor | 1 | 9A | 70 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM | ||
A Child of our Time, Part III: A Spiritual. Deep river (Soloists, Chorus) | Michael Tippett, Pumeza Matshikiza, Sarah Connolly, Joshua Stewart, Ashley Riches, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Major | 1 | 12B | 59 BPM | ||
Deh vieni alla finestra | Wolfgang Amadeus Mozart, Simon Keenlyside, Ulf Schirmer | D Major | 1 | 10B | 127 BPM | ||
"Were I thy bride" | Arthur Sullivan, Ann Hood, Royal Philharmonic Orchestra, Sir Malcolm Sargent | E♭ Major | 2 | 5B | 87 BPM | ||
The Pirates of Penzance: How Beautifully Blue the Sky | Patricia Cameron, Pauline Birchall | C Major | 1 | 8B | 59 BPM |