"Gounod: Faust, CG 4, Act 2 Scene 3: No. 8, Récitatif et Choral des Epées, (b) "De l'enfer qui vient émousser nos armes" (Valentin, Wagner, Siebel, Choeur)" by Charles Gounod, Ernest Blanc/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/André Cluytens, André Cluytens, Orchestre du Théâtre National de l'Opéra Paris was released on 2003. The duration of Gounod: Faust, CG 4, Act 2 Scene 3: No. 8, Récitatif et Choral des Epées, (b) "De l'enfer qui vient émousser nos armes" (Valentin, Wagner, Siebel, Choeur) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Gounod: Faust, CG 4, Act 2 Scene 3: No. 8, Récitatif et Choral des Epées, (b) "De l'enfer qui vient émousser nos armes" (Valentin, Wagner, Siebel, Choeur)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Gounod, André Cluytens's "Gounod: Faust" album is number 15 out of 62. On top of that, United Kingdom appears to be the country where this track was created. Gounod: Faust, CG 4, Act 2 Scene 3: No. 8, Récitatif et Choral des Epées, (b) "De l'enfer qui vient émousser nos armes" (Valentin, Wagner, Siebel, Choeur) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gounod: Faust, CG 4, Act 2 Scene 3: No. 8, Récitatif et Choral des Epées, (b) "De l'enfer qui vient émousser nos armes" (Valentin, Wagner, Siebel, Choeur) by Charles Gounod, Ernest Blanc/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/André Cluytens, André Cluytens, Orchestre du Théâtre National de l'Opéra Paris to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria Rusticana: "Regina coeli laetare" | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon, Latvian Radio Choir, Opernchor Saarbrücken | G Major | 2 | 9B | 86 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
Spartacus: Adagio (arr. J. Galway for flute and piano) | James Galway, Aram Khachaturian, Kenneth Smith, Paul Rhodes | A♭ Major | 1 | 4B | 65 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VI. Notturno | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | E Major | 0 | 12B | 89 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Orchestra) | Robert Schumann, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 93 BPM | ||
Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus | César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp | A Major | 0 | 11B | 89 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM |