"Greenwood: Popcorn Superhet Receiver:, Pt. 1" by Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra was released on March 9, 2012. Since Greenwood: Popcorn Superhet Receiver:, Pt. 1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Penderecki & Greenwood: Threnody for the Victims of Hiroshima / Popcorn Superhet Receiver / Polymorphia / 48 Responses to Polymorphia". In this album, this song's track order is #2. Greenwood: Popcorn Superhet Receiver:, Pt. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Greenwood: Popcorn Superhet Receiver:, Pt. 1 by Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Drowning by Numbers (Film score, 1988): Fish Beach | Michael Nyman, Michael Nyman Band | C Minor | 1 | 5A | 144 BPM | ||
St. Luke Passion: Part I: Ut quid, Domine (Psalm 9) | Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | D♭ Major | 0 | 3B | 75 BPM | ||
From the Abyss | Zbigniew Preisner, Warsaw Philharmonic Chamber Orchestra | E Major | 1 | 12B | 74 BPM | ||
Second Self-Portrait Series | Rachel Grimes, Rachel's | D Minor | 2 | 7A | 130 BPM | ||
A Storm That Took Everything | Thom Yorke | E♭ Major | 5 | 5B | 111 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
A Song for Europa | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | F Minor | 1 | 4A | 72 BPM | ||
Brutal Ardour (Variation On 'The Canon In D Major' By Johann Pachelbel) - Remastered 2004 | Brian Eno | D Major | 2 | 10B | 83 BPM | ||
Overtones | Jonny Greenwood | C Major | 2 | 8B | 70 BPM | ||
Verklärte Nacht, Op. 4 - Version for String Sextet: I. Sehr langsam | Arnold Schoenberg, LaSalle Quartet, Donald McInnes, Jonathan Pegis | C Minor | 1 | 5A | 85 BPM |