"Concerto Magna Carta: III. Intense and energetic" by John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell was released on May 27, 2022. Since Concerto Magna Carta: III. Intense and energetic is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in John Brunning, Xuefei Yang, Royal Liverpool Philharmonic, Clark Rundell, Royal Liverpool Philharmonic Orchestra's "Magna Carta: The Complete Works for Guitar of John Brunning" album is number 4 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Concerto Magna Carta: III. Intense and energetic's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto Magna Carta: III. Intense and energetic by John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell to be Allegro (fast, quick, and bright) because the track has a tempo of 126 テンポ, a half-time of 63テンポ, and a double-time of 252 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
Cuatro Tangos: Libertango | Astor Piazzolla, Mengla Huang, Xuefei Yang | A Minor | 2 | 8A | 94 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
Printemps, L. 61: II. Modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 103 BPM | ||
Julie-O | Mark Summer, Slava Grigoryan, Sharon Grigoryan | D Major | 1 | 10B | 80 BPM | ||
Danzas Argentinas: No. 2, Danza de la moza donosa - Arr. for Harp | Alberto Ginastera, Marie-Pierre Langlamet | E Minor | 0 | 9A | 94 BPM | ||
Sword Dance(Arr. Xuefei Yang) | Changjun Xu, Xuefei Yang | G Minor | 1 | 6A | 91 BPM | ||
Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM | ||
First Book of Songs: My thoughts are winged with hopes | John Dowland, Ian Bostridge, Xuefei Yang | C Minor | 1 | 5A | 121 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM |