Pierre Attaingnant, Geneva Baroque Duo made "Basse Danse "La magdalena" for Lute & Bass Viol" available on June 6, 2013. The duration of Basse Danse "La magdalena" for Lute & Bass Viol is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Basse Danse "La magdalena" for Lute & Bass Viol's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Renaissance Music Recital, from Italy, France & England". In this album, this song's track order is #8. Based on our statistics, Basse Danse "La magdalena" for Lute & Bass Viol's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Basse Danse "La magdalena" for Lute & Bass Viol by Pierre Attaingnant, Geneva Baroque Duo having a テンポ of 128 with a half-time of 64 テンポ and a double-time of 256 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fortune my foe | John Dowland, Trinity Baroque, Steven Player, The Holbein Consort, Julian Podger, The Forbury Consort, Martin Pope, Alan Crumpler | C Major | 0 | 8B | 93 BPM | ||
Pavana II | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 115 BPM | ||
J'ai mon cuer | Ensemble Project Ars Nova | A Minor | 0 | 8A | 0 BPM | ||
Lute Sonata No. 11 in D Minor: I. Fantasia | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Lagrime di San Pietro: V. Giovane donna il suo bel volto in specchio | Orlande de Lassus, Gallicantus, Gabriel Crouch | G Minor | 1 | 6A | 66 BPM | ||
La Canción del Emperador | Luis de Narváez, Dulces Exuviae, Bor Zuljan | F♯ Major | 1 | 2B | 75 BPM | ||
Recercadas del Trattado de Glosas: Recercada sesta sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | F Major | 1 | 7B | 86 BPM | ||
Io son ferito ahi lasso | Giovanni Pierluigi da Palestrina, Bruce Dickey, Stephen Stubbs, Erin Headley, Andrew Lawrence-King | G Minor | 0 | 6A | 134 BPM | ||
Diferéncias Sobre Guárdame Las Vacas | Luis de Narváez, Los Angeles Guitar Quartet | G Major | 1 | 9B | 179 BPM | ||
Amy souffres | Pierre Attaingnant, Hopkinson Smith | E Major | 2 | 12B | 114 BPM |