"Twilight Zone: Theme And Variations" by Marius Constant, Boston Pops Orchestra, John Williams was released on 1983. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Pops Out Of This World". In this album, this song's track order is #7. Based on our statistics, Twilight Zone: Theme And Variations's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Twilight Zone: Theme And Variations by Marius Constant, Boston Pops Orchestra, John Williams having a テンポ of 134 with a half-time of 67 テンポ and a double-time of 268 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Neville's Waltz | Patrick Doyle | D Major | 1 | 10B | 96 BPM | ||
Young Frankenstein - Theme | Hanny Williams | F♯ Major | 3 | 2B | 80 BPM | ||
Fool's Paradise: I | Joby Talbot, Christopher Austin, Royal Philharmonic Orchestra | B Minor | 0 | 10A | 88 BPM | ||
Across The Board/End Credits | Basil Poledouris | F Minor | 2 | 4A | 79 BPM | ||
The Great Secret | Patrick Doyle | A Minor | 0 | 8A | 88 BPM | ||
The Red Pony Film Suite for Orchestra: 1. Morning on the Ranch | Aaron Copland, John Williams, Boston Pops Orchestra | C Major | 2 | 8B | 134 BPM | ||
Haunted Mansion Opening Title | Mark Mancina | F Major | 1 | 7B | 80 BPM | ||
Metropolis: III. Furioso: Die Versohnung | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | A♭ Major | 2 | 4B | 96 BPM | ||
The Planets, Op. 32: 2. Venus, the Bringer of Peace | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | F Minor | 0 | 4A | 88 BPM | ||
Respighi: Pini di Roma, P. 141: IV. I pini della Via Appia | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | B Major | 2 | 1B | 87 BPM |