"Diechterliebe, Op. 48 No. 12: Am leuchtenden Sommermorgen (Arr. for Cello and Piano)" by Robert Schumann, Thérèse Ryan, Francine Chabot was released on January 15, 2001. The duration of Diechterliebe, Op. 48 No. 12: Am leuchtenden Sommermorgen (Arr. for Cello and Piano) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Diechterliebe, Op. 48 No. 12: Am leuchtenden Sommermorgen (Arr. for Cello and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 21 in Adagio: Schumann: Music Arranged for Cello and Piano by Robert Schumann, Thérèse Ryan, Francine Chabot. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Diechterliebe, Op. 48 No. 12: Am leuchtenden Sommermorgen (Arr. for Cello and Piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Diechterliebe, Op. 48 No. 12: Am leuchtenden Sommermorgen (Arr. for Cello and Piano) by Robert Schumann, Thérèse Ryan, Francine Chabot is Larghetto (rather broadly), since this song has a tempo of 64 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 12 in A Major, K. 414: II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | D Major | 0 | 10B | 112 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | ||
Cantabile in B-Flat Major | Frédéric Chopin, Idil Biret | B♭ Major | 0 | 6B | 69 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jenny Lin | B♭ Major | 0 | 6B | 61 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM |