"Ibert: Vocalise-Etude (Aria) for Voice. Larghetto (Arr. for Flute and Piano)" by Jacques Ibert, Emmanuel Pahud, Eric Le Sage was released on January 20, 1998. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Paris - French Flute Music". In this album, this song's track order is #15. In terms of popularity, Ibert: Vocalise-Etude (Aria) for Voice. Larghetto (Arr. for Flute and Piano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ibert: Vocalise-Etude (Aria) for Voice. Larghetto (Arr. for Flute and Piano) by Jacques Ibert, Emmanuel Pahud, Eric Le Sage having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne in 3 Scenes, Op. 72: I. Tahdet tuikkivat (The Stars are Twinkling) | Selim Palmgren, Risto Lauriala | D♭ Major | 1 | 3B | 102 BPM | ||
6 Consolations, S. 172: No. 4 in D-Flat Major (Quasi Adagio) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 99 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
16 Waltzes, Op. 39 - For Piano Duet: 15. In A Major | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | A Major | 0 | 11B | 87 BPM | ||
Schubert: Piano Sonata No. 20 in A Major, D. 959: II. Andantino | Franz Schubert, Eric Lu | F♯ Minor | 0 | 11A | 66 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
Trois Pièces Brèves | Jacques Ibert, Mayumi Kameda, Jean-Jacques Balet, Patrick Genet, Regis Plantevin, André Vauquet, Sven Forsberg, Steven Zlomke, Bernard Demottaz, Bernard Schenkel, René Meyer, Gregory Cass, Roger Birnstingl, Raul Esmerode, Lova Golovtchiner, Ensemble Serenata Genève | D Major | 1 | 10B | 78 BPM | ||
Concertino da Camera: II. Larghetto | Jacques Ibert, Nobuya Sugawa, Yutaka Sado, BBC Philharmonic | C Major | 0 | 8B | 81 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Four Fairy Tales (Skazki), Op.26: No.3 In F Minor | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM |