"Concerto in G major Seibel 215: 3. Largo" by Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 1993. The duration of Concerto in G major Seibel 215: 3. Largo is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Concerto in G major Seibel 215: 3. Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel's "Heinichen: Dresden Concerti" album is number 12 out of 50. Concerto in G major Seibel 215: 3. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto in G major Seibel 215: 3. Largo by Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel to be Lento (slowly) because the track has a tempo of 59 テンポ, a half-time of 30テンポ, and a double-time of 118 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: VII. Allegro Assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Major | 1 | 4B | 82 BPM | ||
Concerto in G major Seibel 214 - Venezia 1715: 2. Andante e staccato | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 0 | 2A | 78 BPM | ||
Suite in A Minor: III. Courante La Mignonne | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 131 BPM | ||
Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM | ||
Trio Sonata in G Minor, Op. 6 No. 7: I. Preludio. Adagio | Francesco Antonio Bonporti, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Fasch : Concerto for Trumpet & 2 Oboes in D major : I Allegro | Johann Friedrich Fasch, Maurice André, Pierre Pierlot, Jacques Chambon, Jean-François Paillard & Orchestre de Chambre Jean-François Paillard, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 3 | 10B | 106 BPM | ||
Mass No. 9 in D Major / Gloria: IId. Quoniam | Johann David Heinichen, Heike Hallaschka, Dresdner Kammerchor, Dresdner Barockorchester, Hans-Christoph Rademann | D♭ Major | 2 | 3B | 108 BPM |