George Frideric Handel, Sonia Prina, Vito Priante, Karina Gauvin, Il Complesso Barocco, Alan Curtis made "Alcina, HWV 34 / Act 1: Oh Dei! Quivi non scorgo" available on January 1, 2009. With Alcina, HWV 34 / Act 1: Oh Dei! Quivi non scorgo being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Joyce DiDonato, Maite Beaumont, Karina Gauvin, Sonia Prina, Kobie Van Rensburg, Laura Cherici, Vito Priante, Il Complesso Barocco, Alan Curtis's "Handel: Alcina" album is number 4 out of 73. On top of that, Germany appears to be the country where this track was created. Alcina, HWV 34 / Act 1: Oh Dei! Quivi non scorgo is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Alcina, HWV 34 / Act 1: Oh Dei! Quivi non scorgo by George Frideric Handel, Sonia Prina, Vito Priante, Karina Gauvin, Il Complesso Barocco, Alan Curtis to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Il pianto di Maria: "Giunta l'ora fatal" HWV 234: Cavatina: "Se d'un Dio fui fatta Madre" | George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | B Minor | 0 | 10A | 174 BPM | ||
Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Fago: Tam non splendet sol creatus: III. "Dum infans iam dormit" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 1 | 10B | 79 BPM | ||
Alcina, HWV 34, Act III: Ma quando tornerai | George Frideric Handel, Cecilia Bartoli, Les Musiciens du Prince-Monaco, Gianluca Capuano | E Major | 4 | 12B | 129 BPM | ||
L'Orfeo / Act III: "Possente spirto" | Claudio Monteverdi, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 74 BPM | ||
Predieri: Scipione il giovane, Act 3: "Dovrian quest'occhi piangere" (Scipione) | Luca Antonio Predieri, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 2 | 10B | 79 BPM | ||
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM |