"Pièces de viole du Second Livre, suite en si mineur: Sarabande, II. 88 (1701)" by Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet was released on September 27, 2011. The duration of Pièces de viole du Second Livre, suite en si mineur: Sarabande, II. 88 (1701) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Pièces de viole du Second Livre, suite en si mineur: Sarabande, II. 88 (1701)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 23 out of 83. Based on our statistics, Pièces de viole du Second Livre, suite en si mineur: Sarabande, II. 88 (1701)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole du Second Livre, suite en si mineur: Sarabande, II. 88 (1701) by Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Oboe Sonata No. 3: I. Adagio | Francesco Geminiani, Ensemble Barocco Sans Souci | E♭ Minor | 1 | 2A | 129 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
Le Retrouvé | Monsieur de Sainte-Colombe, Hille Perl | D♭ Minor | 0 | 12A | 82 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Lamento di Tristano (Arr. Klingzeug Barockensemble for Chamber Ensemble) | Anonymous, Klingzeug Barockensemble | A♭ Minor | 0 | 1A | 108 BPM | ||
Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: I. Largo | Tomaso Albinoni, Ensemble 415, Chiara Banchini | B Major | 7 | 1B | 108 BPM | ||
Byrd: In nomine a 5 IV | William Byrd, Fretwork | C Minor | 1 | 5A | 182 BPM | ||
Lute Sonata No. 34 in D Minor: I. Prelude | Silvius Leopold Weiss, Robert Barto | C Minor | 1 | 5A | 86 BPM | ||
XLIV. Tombeau des regrets: Tombeau Les Regrets - Quarrillon - Apel de Charon - Les pleurs - Joye des Elizées - Reprise: Les pleurs | Monsieur de Sainte-Colombe, Les Voix Humaines | F Minor | 0 | 4A | 79 BPM |