Francesco Geminiani, Concerto Köln made "Concerto grosso, Op. 7, No. 2 in D Minor: II. Allegro assai" available on September 20, 2019. The duration of Concerto grosso, Op. 7, No. 2 in D Minor: II. Allegro assai is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Concerto grosso, Op. 7, No. 2 in D Minor: II. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francesco Geminiani, Concerto Köln's "Geminiani: Quinta Essentia" album is number 2 out of 34. Based on our statistics, Concerto grosso, Op. 7, No. 2 in D Minor: II. Allegro assai's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Concerto grosso, Op. 7, No. 2 in D Minor: II. Allegro assai by Francesco Geminiani, Concerto Köln to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Concerto for four violins - Allegro | Charivari Agréable | F♯ Major | 1 | 2B | 131 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): II. Allegro | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 102 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Rinaldo, HWV 7b: Act III Scene 11: Battaglia | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Violin Concerto in A Minor, BWV 1041: III. Allegro assai | Johann Sebastian Bach, Michael Sand, Arcangeli Baroque Strings | A♭ Minor | 3 | 1A | 127 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana | G Minor | 1 | 6A | 50 BPM | ||
Abdelazar Suite, Z. 570: IX. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Oboe Concerto No. 3 in G minor, HWV 287: 2. Allegro | George Frideric Handel, Heinz Holliger, English Chamber Orchestra, Raymond Leppard | B♭ Major | 2 | 6B | 108 BPM | ||
Madrigali, Book 1: No. 18, Sonata à 31 | Francesco Turini, London Baroque | D♭ Major | 3 | 3B | 96 BPM |