Johannes Brahms, The University of Illinois Symphonic Band, Dr. Harry Begian's 'Variations on a Theme By Haydn: VII. Movement VII' came out on January 1, 1995. With Variations on a Theme By Haydn: VII. Movement VII being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The University of Illinois Symphonic Band's "In Concert with The University of Illinois Concert Band - The Begian Years, Vol. VII" album is number 10 out of 18. In terms of popularity, Variations on a Theme By Haydn: VII. Movement VII is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Variations on a Theme By Haydn: VII. Movement VII テンポ

We consider the tempo marking of Variations on a Theme By Haydn: VII. Movement VII by Johannes Brahms, The University of Illinois Symphonic Band, Dr. Harry Begian to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Variations on a Theme By Haydn: VII. Movement VII キー

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.