"Evening Service in D Major: I. Magnificat" by George Dyson, John Scott, St. Paul's Cathedral Choir, Christopher Dearnley had its release date on November 1, 1988. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in St. Paul's Cathedral Choir, T. Tertius Noble, John Scott, Herbert Howells, Christopher Dearnley, Herbert Murrill, Basil Harwood, Harold Darke, Herbert Sumsion, George Dyson's "My Spirit Hath Rejoiced: Magnificat & Nunc Dimittis Settings Vol. 2 – Dyson, Howells, Murrill, Sumsion etc." album is number 13 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Evening Service in D Major: I. Magnificat's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Evening Service in D Major: I. Magnificat by George Dyson, John Scott, St. Paul's Cathedral Choir, Christopher Dearnley to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Gibbons: The Silver Swan | The Tallis Scholars, Peter Phillips | E Major | 0 | 12B | 71 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
O Mother of God, Vigilantly Praying, Sacred Concerto for mixed Chorus | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E Minor | 1 | 9A | 91 BPM | ||
Nachtlied | Max Reger, Stephan Lutermann, Vokalconsort Osnabrück | B Minor | 0 | 10A | 130 BPM | ||
Mass in D Major, Op. 86 / Gloria: IIa. Gloria in excelsis Deo | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D♭ Minor | 0 | 12A | 108 BPM | ||
Les Chansons Des Roses: V. Dirait-On (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 75 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
Lincolnshire Posy (version for 2 pianos): IV. The Brisk Young Sailor | Percy Grainger, Clemens Rave, Caroline Weichert | A Minor | 1 | 8A | 140 BPM |