The Canterbury Pilgrims: I. Prologue (Fig. 2)

George Dyson, Richard Hickox, London Symphony Orchestra, Yvonne Kenny, Robert Tear, Stephen Roberts, London Symphony Chorus, Malcom Hicks
Dyson: The Canterbury Pilgrims, At the Tabard Inn & In Honour of the City
10:06 1997年4月1日
テンポ
79
キー
C Major
キャメロットミュージックキー
8B

リンクを埋め込む

共有

The Canterbury Pilgrims: I. Prologue (Fig. 2) - George Dyson, Richard Hickox, London Symphony Orchestra, Yvonne Kenny, Robert Tear, Stephen Roberts, London Symphony Chorus, Malcom Hicks 情報

音響性
98%
ダンサビリティ
20%
エネルギー
3%
手段性
2%
活気
8%
ラウドネス
52%
話し言葉
4%
価数
7%
人気
ラウドネス
-28.86 dB

まとめ

"The Canterbury Pilgrims: I. Prologue (Fig. 2)" by George Dyson, Richard Hickox, London Symphony Orchestra, Yvonne Kenny, Robert Tear, Stephen Roberts, London Symphony Chorus, Malcom Hicks was released on April 1, 1997. The Canterbury Pilgrims: I. Prologue (Fig. 2) appears to be safe for all ages as it is not explicit. The song is number 3 out of 16 in Dyson: The Canterbury Pilgrims, At the Tabard Inn & In Honour of the City by George Dyson, Richard Hickox, London Symphony Orchestra, Yvonne Kenny, Robert Tear, Stephen Roberts, London Symphony Chorus, Malcom Hicks. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Canterbury Pilgrims: I. Prologue (Fig. 2) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Canterbury Pilgrims: I. Prologue (Fig. 2) テンポ

The tempo marking of The Canterbury Pilgrims: I. Prologue (Fig. 2) by George Dyson, Richard Hickox, London Symphony Orchestra, Yvonne Kenny, Robert Tear, Stephen Roberts, London Symphony Chorus, Malcom Hicks is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

The Canterbury Pilgrims: I. Prologue (Fig. 2) キー

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

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ISRC
GBLWD9703103
レコードレーベル
L-M Records/RCA Records