"Fauré: Requiem, Op. 48: VII. In Paradisum" by Gabriel Fauré, Choir of King's College, Cambridge, Stephen Cleobury, English Chamber Orchestra was released on 1989. The duration of Fauré: Requiem, Op. 48: VII. In Paradisum is about 3 minutes long, at 3:27. Based on our data, "Fauré: Requiem, Op. 48: VII. In Paradisum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 16 in Fauré/Duruflé - Requiems by Olaf Bär, Ann Murray, Richard Eteson, Choir of King's College, Cambridge, English Chamber Orchestra, Stephen Cleobury. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fauré: Requiem, Op. 48: VII. In Paradisum is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Requiem, Op. 48: VII. In Paradisum by Gabriel Fauré, Choir of King's College, Cambridge, Stephen Cleobury, English Chamber Orchestra is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Crucifixion: God So Loved the World | John Stainer, Choir of King's College, Cambridge, Daniel Hyde | F Minor | 4 | 4A | 134 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | A Minor | 0 | 8A | 129 BPM | ||
4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | B Minor | 1 | 10A | 0 BPM | ||
A Chloris | Reynaldo Hahn, Véronique Gens, Susan Manoff | E Major | 1 | 12B | 133 BPM | ||
Requiem No. 1 in C Minor: Agnus Dei | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 128 BPM | ||
Matthäus Passion, Prima Parte: 27b. Chorus: Sind Blitze, Sind Donner In Wolken Verschwunden | Stephen Cleobury, Michael Chance, David Thomas, Emma Kirkby, Johann Sebastian Bach, Rogers Covey-Crump, Martyn Hill, Choir of King's College, Cambridge, Michael George | B♭ Minor | 5 | 3A | 93 BPM | ||
Messe basse: I. Kyrie | Gabriel Fauré, Stephen Cleobury, Douglas Tang, Joshua Curtis, Ensemble of King's College, Cambridge | A♭ Major | 0 | 4B | 76 BPM | ||
Pie Jesu | Andrew Lloyd Webber, Anna Netrebko | A♭ Major | 0 | 4B | 78 BPM | ||
Miserere | Gregorio Allegri, Saul Quirke, Westminster Cathedral Choir, Stephen Cleobury | G Minor | 0 | 6A | 75 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM |