"Polovtsian Dances, from: Prince Igor - Arr. & Completed Rimsky-Korsakov & Glazounov: Polovtsian dances" by Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim was released on January 1, 1987. Polovtsian Dances, from: Prince Igor - Arr. & Completed Rimsky-Korsakov & Glazounov: Polovtsian dances appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Smetana: The Moldau / Dvorák: Slavonic Dances / Brahms: Hungarian Dances / Borodin: Polovtsian Dances / Liszt: Les Préludes". In this album, this song's track order is #7. In terms of popularity, Polovtsian Dances, from: Prince Igor - Arr. & Completed Rimsky-Korsakov & Glazounov: Polovtsian dances is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Polovtsian Dances, from: Prince Igor - Arr. & Completed Rimsky-Korsakov & Glazounov: Polovtsian dances by Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim having a テンポ of 107 with a half-time of 54 テンポ and a double-time of 214 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuetto I | Giacomo Puccini, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly | E♭ Major | 0 | 5B | 83 BPM | ||
Dies Irae | Giuseppe Verdi, Sir Georg Solti, Chicago Symphony Orchestra | G Major | 6 | 9B | 78 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: III. Molto moderato e maestoso | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 96 BPM | ||
Hungarian Dance No.10 in F - Orchestrated by Brahms: Presto | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | F Major | 3 | 7B | 152 BPM | ||
Sylvia: Pizzicati | Léo Delibes, Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 0 | 5B | 120 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Mendelssohn-Hensel, F: String Quartet in E-Flat Major: IV. Allegro molto vivace | Fanny Mendelssohn, Quatuor Ébène | E♭ Major | 4 | 5B | 137 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM |