"Incarnation II: Incarnation II" by Somei Satoh, Susan Chan had its release date on 2008. This song appears to be safe for all ages as it is not explicit. The song is number 7 out of 18 in East West Encounter II - Piano Music by Bach, Chopin, Lam, Louie & Satoh by Susan Chan. Incarnation II: Incarnation II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Incarnation II: Incarnation II by Somei Satoh, Susan Chan is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kaze no Kyoku II | Somei Satoh, Ute Schleich | D♭ Major | 0 | 3B | 76 BPM | ||
O Euchari in leta via | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | C Major | 0 | 8B | 100 BPM | ||
China Gates | John Adams, Yuja Wang | E♭ Minor | 1 | 2A | 161 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Estampes, L. 100: I. Pagodes (modérément animé) | Claude Debussy, Alain Planès | B Major | 0 | 1B | 68 BPM | ||
Light Moving | David Lang, Hilary Hahn, Cory Smythe | E Minor | 1 | 9A | 102 BPM | ||
The Beatitudes | Vladimir Martynov, Conspirare, Craig Hella Johnson | B♭ Major | 1 | 6B | 90 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
Toward the Night: 1991 | Somei Satoh | D Major | 1 | 10B | 72 BPM | ||
Saint-Saëns: Carnival of the Animals, R. 125: VII. Aquarium | Camille Saint-Saëns, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | A Major | 0 | 11B | 66 BPM |