"Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano)" by Felix Mendelssohn, Andreas Ottensamer, Julien Quentin was released on June 18, 2021. The duration of Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 21 in Blue Hour: Mendelssohn Edition by Felix Mendelssohn, Andreas Ottensamer, Yuja Wang, Julien Quentin, Schumann Quartett, Gunars Upatnieks. Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano) by Felix Mendelssohn, Andreas Ottensamer, Julien Quentin is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Les tendres plaintes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 110 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | D♭ Minor | 0 | 12A | 85 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | A Major | 1 | 11B | 99 BPM | ||
Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | ||
6 Pieces, Op. 19: IV. Nocturne (Andante sentimentale) | Pyotr Ilyich Tchaikovsky, Alexandre Tharaud | E Major | 0 | 12B | 68 BPM | ||
Morceau de lecture (Arr. for Violin & Piano) | Gabriel Fauré, Christian Svarfvar, Roland Pöntinen | A Major | 0 | 11B | 125 BPM | ||
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM |