"Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 3: No. 39, The Last Farewell" by Sergei Prokofiev, André Previn, London Symphony Orchestra had its release date on 1973. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 52 in the song's album "Prokofiev: Romeo and Juliet". In this album, this song's track order is #13. Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 3: No. 39, The Last Farewell is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 3: No. 39, The Last Farewell by Sergei Prokofiev, André Previn, London Symphony Orchestra having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 2: No. 25, Dance with the Mandolins | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 3 | 11B | 104 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Alexander Nevsky: VII. Alexander's Entry into Pskov | Sergei Prokofiev, Irina Gelahova, Stanislavsky Chorus, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Symphony No. 3 in A Minor, Op. 44: III. Allegro - Allegro vivace - Allegro (Tempo primo) - Allegretto - Allegro vivace | Sergei Rachmaninoff, London Symphony Orchestra, Valery Gergiev | A Major | 0 | 11B | 138 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 16, Madrigal | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 0 | 8B | 72 BPM | ||
War Requiem, Op. 66: xvi. Offertorium - Sed signifer Sanctus | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | G Major | 2 | 9B | 103 BPM | ||
Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM | ||
Ohlas pisni (Echo of Songs), B. 152 (arr. of Cypresses, B. 11 for string quartet): There Stands an Ancient Rock | Antonín Dvořák, Vlach Quartet Prague | A♭ Major | 1 | 4B | 60 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Scottish": 4. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Minor | 3 | 8A | 121 BPM | ||
Adagio for Strings | Samuel Barber, HAUSER, Robert Ziegler, London Symphony Orchestra | B♭ Minor | 2 | 3A | 79 BPM |