Gustav Holst, Ross Pople's 'St. Paul's Suite Op. 29/2: Finale (The Dargason)' came out on February 2, 1996. The duration of St. Paul's Suite Op. 29/2: Finale (The Dargason) is about 3 minutes long, at 3:14. Based on our data, "St. Paul's Suite Op. 29/2: Finale (The Dargason)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gustav Holst, Ross Pople's "Holst: St. Paul's Suite, Fugal Concerto f. Flute, Oboe and Strings" album is number 4 out of 19. On top of that, Germany appears to be the country where this track was created. St. Paul's Suite Op. 29/2: Finale (The Dargason) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of St. Paul's Suite Op. 29/2: Finale (The Dargason) by Gustav Holst, Ross Pople to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir de Florence, Op. 70 TH 118: III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | F Major | 1 | 7B | 111 BPM | ||
Borodin - String Quartet No.2 in D major: I. Allegro moderato | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 164 BPM | ||
Capriol Suite: 3. Tordion | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Minor | 0 | 6A | 96 BPM | ||
Printemps, L. 61: II. Modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 103 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Sarasate: Introduction et Tarantelle, Op. 43 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | G Major | 2 | 9B | 117 BPM | ||
Mendelssohn: String Quartet No. 2 in A Minor, Op. 13, MWV R22: I. Adagio - Allegro vivace | Felix Mendelssohn, Artemis Quartet | A Minor | 1 | 8A | 99 BPM |