"Hurdy-gurdy - Chanson (Joliveté et bone amor)" by Jehan d'Esquiri, David Munrow, Early Music Consort Of London was released on 1976. With Hurdy-gurdy - Chanson (Joliveté et bone amor) being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David Munrow, Early Music Consort Of London's "Instruments of Middle Age and Renaissance" album is number 14 out of 61. In terms of popularity, Hurdy-gurdy - Chanson (Joliveté et bone amor) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hurdy-gurdy - Chanson (Joliveté et bone amor) by Jehan d'Esquiri, David Munrow, Early Music Consort Of London to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Je vivroie liement | Guillaume de Machaut, Brigitte Lesne, Pierre Hamon | D♭ Major | 1 | 3B | 94 BPM | ||
Factus est repente | Gregor Aichinger, Harmonia Recorder Ensemble | C Major | 0 | 8B | 67 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: II. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Dança amorosa: I. Variation 1 | Anonymous (14th cent.), Eberhard Kummer | F♯ Major | 2 | 2B | 77 BPM | ||
Has tu point veu | Adrian Le Roy, Baltimore Consort | C Major | 1 | 8B | 115 BPM | ||
Ab lo cor triste | Peire Cardenal, Ensemble Tre Fontane | F Major | 2 | 7B | 112 BPM | ||
English Renaissance Dance | Andrei Krylov | B♭ Major | 3 | 6B | 95 BPM | ||
Ja nus hons pris ne dira sa raison (Under the Greenwood Tree): Ja nuls homs pris | Richard I of England, Estampie, Graham Derrick | F Major | 0 | 7B | 95 BPM | ||
Branle gay | Pierre Attaingnant, Ronn McFarlane | B♭ Major | 0 | 6B | 178 BPM | ||
Paradetas | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 2 | 10B | 121 BPM |