"Mozart: Le nozze di Figaro, K. 492, Act II: Porgi, amor (La Contessa)" by Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Sir John Pritchard, Philharmonia Orchestra was released on January 1, 1953. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Sir John Pritchard, Philharmonia Orchestra's "Mozart: Operatic Arias" album is number 3 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mozart: Le nozze di Figaro, K. 492, Act II: Porgi, amor (La Contessa)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Le nozze di Figaro, K. 492, Act II: Porgi, amor (La Contessa) by Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Sir John Pritchard, Philharmonia Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 126 テンポ, a half-time of 63テンポ, and a double-time of 252 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Serenade In G Major Kv 525 "Eine Kleine Nachtmusik": Allegro | Hca, Jakob Händel, Schwetzingen, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester Mannheim, Florian Heyerick | G Major | 2 | 9B | 155 BPM | ||
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Symphony No. 34 in C Major, K 338: III. Allegro vivace | Wolfgang Amadeus Mozart, Philharmonia Orchestra, Michael Collins | G Major | 3 | 9B | 80 BPM | ||
Klavierstück in F Major, K. 33b | Wolfgang Amadeus Mozart, Lang Lang | D Major | 1 | 10B | 140 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM |