"Songe de Coppelius for Tenor Saxophone and Piano" by Florent Schmitt, Claude Delangle, Odile Delangle was released on November 1, 1999. The duration of Songe de Coppelius for Tenor Saxophone and Piano is about 3 minutes long, at 3:27. Based on our data, "Songe de Coppelius for Tenor Saxophone and Piano" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Saxophone for A Lady". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. Songe de Coppelius for Tenor Saxophone and Piano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Songe de Coppelius for Tenor Saxophone and Piano by Florent Schmitt, Claude Delangle, Odile Delangle having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
classical type beat | Silio Dussud, Walis | E Minor | 0 | 9A | 114 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
The Bragger | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
La mer, L. 109: I. From Dawn Till Noon on the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 68 BPM | ||
Summer Night - Suite from 'The Duenna', Op. 123: 2. Serenade | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 117 BPM | ||
Symphony No. 1, Op. 13: II. Lent | George Enescu, Orchestre National De France, Cristian Măcelaru | B Major | 0 | 1B | 116 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Vaughan Williams: Tuba Concerto in F Minor: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Perry Hoogendijk, Royal Concertgebouw Orchestra, Dima Slobodeniouk | B♭ Minor | 1 | 3A | 113 BPM | ||
Legend of Love, Act III, Scene 3: Meeting in the Mountains | Arif Melikov, Valery Gergiev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks | E Minor | 0 | 9A | 143 BPM | ||
Vaughan Williams: 5 Variants of "Dives and Lazarus": Variant III | Ralph Vaughan Williams, Vernon Handley, London Philharmonic Orchestra | G Major | 1 | 9B | 136 BPM |