Giuseppe Verdi, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai's 'Verdi: La traviata, Act 1: "Che e cio?" (Chorus, Violetta, Alfredo)' came out on 1954. The duration of Verdi: La traviata, Act 1: "Che e cio?" (Chorus, Violetta, Alfredo) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Verdi: La traviata, Act 1: "Che e cio?" (Chorus, Violetta, Alfredo)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: La traviata (1953 - Santini) - Callas Remastered by Giuseppe Verdi, Maria Callas. The song's track number on the album is #4 out of 44 tracks. Verdi: La traviata, Act 1: "Che e cio?" (Chorus, Violetta, Alfredo) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Verdi: La traviata, Act 1: "Che e cio?" (Chorus, Violetta, Alfredo) by Giuseppe Verdi, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Verdi: La traviata, Act 1: "Che e cio?" (Chorus, Violetta, Alfredo) being at 72 テンポ, the half-time would be 36 テンポ with a double-time of 144 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las Golondrinas, Escena 3ª, II parte: "Fuego de paja en el viento" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Rossini: l barbiere di Siviglia, Act 1: "Dunque io son" (Figaro, Rosina) | Gioachino Rossini, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 1 | 9B | 124 BPM | ||
Francesca da Rimini, Op. 4: Paolo datemi pace! | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | D Major | 1 | 10B | 93 BPM | ||
La Boheme, erster Akt: Ho pagato il Trimestre | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | A♭ Major | 4 | 4B | 173 BPM | ||
Il Pirata, Act I: Cielo! è dessa! | Vincenzo Bellini, Felice Romani, Javier Camarena, Marina Rebeka, Gustavo de Gennaro, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Qui di sposa eterna fede...Ah, soltanto il nostro foco" (Edgardo, Lucia) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Medea (Medee) (Sung in Italian): Act I: Dei tuoi figli la madre (Medea) | Luigi Cherubini, Maria Callas, Orchestra La Scala di Milano, Thomas Schippers | C Major | 3 | 8B | 92 BPM | ||
Suor Angelica: Ah, son dannata! | Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
La forza del destino, Act II, Scene I: La cena è pronta | Giuseppe Verdi, Tiziano Tassi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | F♯ Minor | 2 | 11A | 124 BPM | ||
La Boheme, dritter Akt: Dunque e proprio finita | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM |