Josef Rheinberger, Lydia Teuscher, Christine Müller, Annette Markert, Götz Payer made "6 Marianische Hymnen, Op. 171: VI. Ave Regina" available on May 1, 2010. The duration of 6 Marianische Hymnen, Op. 171: VI. Ave Regina is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. 6 Marianische Hymnen, Op. 171: VI. Ave Regina's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Josef Rheinberger, Lydia Teuscher, Christine Müller, Annette Markert, Götz Payer, Kay Johannsen's "Josef Gabriel Rheinberger: Ave Maria (Musica Sacra X)" album is number 18 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, 6 Marianische Hymnen, Op. 171: VI. Ave Regina is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of 6 Marianische Hymnen, Op. 171: VI. Ave Regina by Josef Rheinberger, Lydia Teuscher, Christine Müller, Annette Markert, Götz Payer to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
Messe brève No. 7: V. Agnus Dei | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | G Major | 6 | 9B | 128 BPM | ||
Sleep | Eric Whitacre, Eric Whitacre Singers | C Minor | 0 | 5A | 127 BPM | ||
Quatre petites prières de Saint François d’ Assise: IV. O mes très chers frères | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Holy God (Sviatyï Boje) | Georgy Sviridov, Les Métaboles, Léo Warynski | E♭ Minor | 0 | 2A | 66 BPM | ||
Les Chansons des roses: No. 4. La Rose Complete. No. 5. Dirait-on | Morten Lauridsen, Leslie De'Ath, Elora Festival Singers, Noel Edison | D♭ Major | 0 | 3B | 79 BPM | ||
Brahms: Geistliches lied Op. 30 | St. Albans Cathedral Choir, Simon Johnson | E♭ Major | 1 | 5B | 70 BPM | ||
O Jesu Christ, mein Lebens Licht, BWV 118 | Johann Sebastian Bach, The Norwegian Soloists' Choir, Ensemble Allegria, Grete Pedersen | B♭ Major | 1 | 6B | 95 BPM | ||
Eli, Eli | Georgius Bardos, Landesjugendchor Schleswig-Holstein, Matthias Janz | C Minor | 0 | 5A | 82 BPM | ||
Lux aeterna: III. O nata lux | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | D Major | 0 | 10B | 130 BPM |