Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli made "Salome, Op. 54 / Scene 3: "Niemals, Tochter Babylons,Tochter Sodoms,...Niemals "N" available on January 1, 1991. With Salome, Op. 54 / Scene 3: "Niemals, Tochter Babylons,Tochter Sodoms,...Niemals "N being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Richard Strauss: Salome". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Salome, Op. 54 / Scene 3: "Niemals, Tochter Babylons,Tochter Sodoms,...Niemals "N is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Salome, Op. 54 / Scene 3: "Niemals, Tochter Babylons,Tochter Sodoms,...Niemals "N by Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gurrelieder, Pt. 1: No. 4, Ross! Mein Ross! (Waldemar) | Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado | D♭ Minor | 4 | 12A | 73 BPM | ||
Götterdämmerung, WWV 86D / Prologue: "Mehr gabst du, Wunderfrau, als ich zu wahren weiss" | Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von Karajan | F Major | 4 | 7B | 71 BPM | ||
Madama Butterfly / Act I: Ecco. Son giunte al sommo del pendio | Giacomo Puccini, Mirella Freni, José Carreras, Juan Pons, Anthony Laciura, Philharmonia Orchestra, Giuseppe Sinopoli, Ambrosian Opera Chorus, John McCarthy | B Major | 1 | 1B | 135 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Lawrence Brownlee, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
4 Lieder, Op. 27, TrV 170: 1. Ruhe, meine Seele! | Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F Major | 0 | 7B | 85 BPM | ||
Gianni Schicchi: "Prima un avvertimento!" | Giacomo Puccini, Leo Nucci, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | G Major | 1 | 9B | 151 BPM | ||
Carmina Burana / Uf dem Anger: Reie - "Swaz hie gat umbe" - "Chume, chum geselle min" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 0 | 7B | 135 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Selbstverständlich empfängt mich Ihre Gnaden" (Ochs, Footmen, Marschallin) | Richard Strauss, Herbert von Karajan, Eberhard Wächter, Elisabeth Schwarzkopf, Erich Majkut, Gerhard Unger, Harald Pröglhöf, Otto Edelmann, Philharmonia Orchestra | F Major | 1 | 7B | 169 BPM | ||
Arabella, Op. 79, TrV 263: Das war sehr gut, Mandryka | Richard Strauss, Anne Schwanewilms, Gürzenich Orchester Köln, Markus Stenz | A Major | 1 | 11B | 133 BPM |