"Fontane di Roma, P. 106: IV. La fontana di Villa Medici al tramonto" by Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli was released on January 1, 1993. Fontane di Roma, P. 106: IV. La fontana di Villa Medici al tramonto is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Respighi: Pini di Roma; Fontane di Roma; Feste Romane". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Fontane di Roma, P. 106: IV. La fontana di Villa Medici al tramonto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fontane di Roma, P. 106: IV. La fontana di Villa Medici al tramonto by Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli having a テンポ of 61 with a half-time of 30 テンポ and a double-time of 122 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Symphony No. 2 in C Minor, Op. 29: V. Maestoso | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | C Major | 2 | 8B | 93 BPM | ||
2 Pieces for the Left Hand, Op. 9: Prelude for the Left Hand in C-Sharp Minor, Op. 9, No. 1 | Alexander Scriabin, Evgeny Zarafiants | D Major | 0 | 10B | 69 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Respighi: Feste romane, P. 157: I. Circenses | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 3 | 4B | 76 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: Allegro non troppo - | Camille Saint-Saëns, Mstislav Rostropovich, Sir Malcolm Sargent, Philharmonia Orchestra | C Major | 1 | 8B | 75 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Franz Joseph Haydn, Jacqueline du Pré, Daniel Barenboim | A Major | 4 | 11B | 148 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 6: IV. Marche Funebre (Arr. V. Rogal-Levitsky) | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | D♭ Major | 0 | 3B | 54 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo | Antonín Dvořák, New York Philharmonic, Alan Gilbert | D♭ Major | 0 | 3B | 87 BPM | ||
Someone To Watch Over Me | George Gershwin, Zubin Mehta, New York Philharmonic | A Major | 1 | 11B | 171 BPM |