"Sonatina for Cello and Piano" by Zoltán Kodály, István Várdai, Klára Würtz was released on October 27, 2017. Since Sonatina for Cello and Piano is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Zoltán Kodály, István Várdai, Klára Würtz's "Kodaly: Music for Cello" album is number 4 out of 8. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Sonatina for Cello and Piano's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sonatina for Cello and Piano by Zoltán Kodály, István Várdai, Klára Würtz to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hyperbole Pour Violoncelle | Philippe Hersant, Olivier Penard, Vincent Paulet, Zoltan Kodaly, Fabrice Bihan | G Major | 1 | 9B | 168 BPM | ||
Esti dal (Evening song) | Zoltán Kodály, Pecs Bela Bartok Male Choir, Tamás Lakner | E♭ Minor | 1 | 2A | 91 BPM | ||
Drei Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Alexei Ogrintchouk, Leonid Ogrintchouk | B♭ Major | 0 | 6B | 131 BPM | ||
Double Bass Concerto in G Major, D. 290: I. Adagio | Domenico Dragonetti, Ubaldo Fioravanti, Padova e del Veneto Orchestra, Claudio Martignon | G Major | 0 | 9B | 81 BPM | ||
Sonate Pour Violoncelle, Op. 8: Allegro Maestoso Ma Appassionato | Philippe Hersant, Olivier Penard, Vincent Paulet, Zoltán Kodály, Fabrice Bihan | F♯ Major | 1 | 2B | 69 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Sonate Pour Violoncelle: Furtif | Philippe Hersant, Olivier Penard, Vincent Paulet, Zoltan Kodaly, Fabrice Bihan | D Major | 1 | 10B | 139 BPM | ||
2 Pieces for Strings, C. 50j (From "Henry V"): No. 2, Touch Her Soft Lips and Part | William Walton, Malmö Opera Orchestra, Joseph Swensen | C Major | 0 | 8B | 76 BPM | ||
Focus | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 144 BPM | ||
The Tempest: Suite No. 2, Op. 109: IV. Prospero | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | E Major | 0 | 12B | 77 BPM |