"3 Preludes and Fugues, Op. 99: Prelude and Fugue No. 3 in E-Flat Major" by Camille Saint-Saëns, Joachim Dorfmuller was released on January 1, 1986. 3 Preludes and Fugues, Op. 99: Prelude and Fugue No. 3 in E-Flat Major is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Saint-Saens, C.: Organ Music". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. 3 Preludes and Fugues, Op. 99: Prelude and Fugue No. 3 in E-Flat Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Preludes and Fugues, Op. 99: Prelude and Fugue No. 3 in E-Flat Major by Camille Saint-Saëns, Joachim Dorfmuller having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Saint-Saens: The Carnival of the Animals - A zoological fantasy: The Aquarium | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 75 BPM | ||
Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | E Major | 0 | 12B | 127 BPM | ||
Allegro ma non troppo | Alexandre Pierre François Boëly, Maxime Heintz | F Minor | 3 | 4A | 163 BPM | ||
Symphony No.5 in F Major | Charles-Marie Widor, Francis Jackson | F Major | 2 | 7B | 103 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
Sonata op. 166: Andantino | Camille Saint-Saëns, Pauline Oostenrijk, Ivo Janssen | D Major | 1 | 10B | 137 BPM | ||
Voices of the World | Iain Farrington, Matthew Jorysz | G Major | 1 | 9B | 82 BPM |