"All Through The Night - Live At Theatre Du Chatelet, Paris/1992" by Shirley Horn was released on March 7, 1994. The duration of All Through The Night - Live At Theatre Du Chatelet, Paris/1992 is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. All Through The Night - Live At Theatre Du Chatelet, Paris/1992's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Shirley Horn's "I Love You, Paris" album is number 7 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, All Through The Night - Live At Theatre Du Chatelet, Paris/1992 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of All Through The Night - Live At Theatre Du Chatelet, Paris/1992 by Shirley Horn to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lullaby In Rhythm | Mark Murphy | F Minor | 2 | 4A | 135 BPM | ||
(Getting Some) Fun out of Life | Madeleine Peyroux | E Minor | 4 | 9A | 111 BPM | ||
How Deep Is The Ocean? | Susannah McCorkle | G Major | 0 | 9B | 134 BPM | ||
The Best is Yet to Come - Remastered 2003 | Carmen McRae, Shirley Horn | B♭ Major | 2 | 6B | 128 BPM | ||
Hours Of Ours | Sinne Eeg, Lars Jansson, Morten Lund, Mads Vinding | B♭ Major | 3 | 6B | 169 BPM | ||
You Go To My Head | Gene Ammons | F Minor | 1 | 4A | 74 BPM | ||
Let There Be Love | Annie Ross, Gerry Mulligan Quartet | A♭ Major | 2 | 4B | 119 BPM | ||
Too Close For Comfort | Art Pepper | A♭ Major | 4 | 4B | 136 BPM | ||
Till There Was You | Lyambiko | G Major | 4 | 9B | 105 BPM | ||
I Hadn't Anyone Till You | Mose Allison | F Minor | 1 | 4A | 109 BPM |