Jean-Philippe Rameau, Arion Orchestre Baroque, Mathieu Lussier's 'Les fêtes de Polymnie: Premier et deuxième menuets (Acte I, Scène 4)' came out on September 8, 2023. The duration of Les fêtes de Polymnie: Premier et deuxième menuets (Acte I, Scène 4) is about 3 minutes long, at 3:03. Based on our data, "Les fêtes de Polymnie: Premier et deuxième menuets (Acte I, Scène 4)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Arion Orchestre Baroque, Mathieu Lussier's "Les soupers du roy" album is number 16 out of 26. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Les fêtes de Polymnie: Premier et deuxième menuets (Acte I, Scène 4)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les fêtes de Polymnie: Premier et deuxième menuets (Acte I, Scène 4) by Jean-Philippe Rameau, Arion Orchestre Baroque, Mathieu Lussier to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Collection of Old Scots Tunes: Busk ye busk ye my bonny bride (Arr. by Söllscher) | Francesco Barsanti, Jian Wang, Göran Söllscher | D Major | 0 | 10B | 55 BPM | ||
Les Boréades / Act IV: Entrée de Polymnie - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | G Major | 1 | 9B | 94 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM |