"La Capricciosa Correta: Sinfonia" by Vicente Martín Y Soler, Christophe Rousset, Les Talens Lyriques was released on March 9, 2004. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Vicente Martín Y Soler, Christophe Rousset, Les Talens Lyriques's "Martin y Soler: La Capricciosa Correta" album is number 1 out of 61. On top of that, France appears to be the country where this track was created. In terms of popularity, La Capricciosa Correta: Sinfonia is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Capricciosa Correta: Sinfonia by Vicente Martín Y Soler, Christophe Rousset, Les Talens Lyriques to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Epigrammak (Epigrams) (arr. L. Lencses): No. 1. Lento | Lajos Lencsés, Zoltán Kodály, Budapest Strings | A♭ Major | 1 | 4B | 96 BPM | ||
Quartet in F Major for Oboe and Strings, K. 370: III. Rondo: Allegro | Felix Galimir | F Major | 1 | 7B | 116 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Kyrie | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Armida, Act II Scene 10: Seguito del ballo. Andante | Gioachino Rossini, José Miguel Pérez-Sierra, Krakow Philharmonic Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
L'Olimpiade, Act I Scene 1: Aria. "Siam navi all’onde algenti" | Domenico Cimarosa, Alex Banfield, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VII. Der stürmende Aeolus | Georg Philipp Telemann, Robert King, The King's Consort | F♯ Major | 5 | 2B | 140 BPM | ||
Mass No. 4 in C Major, Op. 48, D. 452: Gloria | Franz Schubert, Claudia Reinhard, Christine Wehler, Raimund Minarschik, Tobias Berndt, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Piano Concerto in D Major Wq.43/2 H.472: I. Allegro di molto - Andante - Allegro di molto | Carl Philipp Emanuel Bach, Orazio Sciortino, Orchestra di Padova e del Veneto | D Major | 1 | 10B | 108 BPM | ||
Concerto a due cori No. 2, HWV 333: II. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 3 | 10A | 116 BPM |